A Girl Like Me

Color is more than skin deep for young African-American women struggling to define themselves.

A Girl Named Kai

More About A Girl Named Kai from Director Kai Ling Xue  Three years in the making, shot…
Official selection of the Fifth Annual Festival

A Loud Color

More About A Loud Color from Producer & Director Brent Joseph I was asked by Tim Ryan…
Official selection of the Eighth Annual Festival

A Nomad’s Life

More About A Nomad’s Life from Director Lynn True A Nomad’s Life was conceived as part of…
Official selection of the Eighth Annual Festival

All That I Can Be

William, like many young Americans, feels that joining the military is his only way out of a dead-end job and a rough life.

America for Dummies

More About America for Dummies from Director Niaz Mosharraf Witnessing and experiencing the apathy and ignorance of…
Official selection of the Eighth Annual Festival

Aquafinito

Filmmaker
Annalise Littman

In high school, I was a member and co-president of WaterAid International, a club dedicated to educating people about the world water crisis and fundraising for water infrastructure projects in developing countries.

I attended a talk given by Deborah Lapidus of Corporate Accountability International (CAI) with my club and learned about the environmental and human rights problems associated with bottled water. I was in a teen film program at the Institute of Contemporary Art at the time. I was so blown away by Deborah’s talk that I decided to make a documentary about bottled water for my class project in the hopes that I could educate other people about what I had learned.

Deborah agreed to my filming her at a workshop she was giving, where I met Tina Clarke, Campaign Director for Massachusetts Clean Water Action. Tina agreed to be interviewed about corporation efforts to extract water for bottling purposes in Massachusetts.

I was invited by CAI to film a “Think Outside the Bottle” action at a Coke shareholders’ meeting in Wilmington, Delaware. I also interviewed someone from the Massachusetts Water Resources Authority, who spoke about the high quality of Massachusetts tap water.

My film addresses the prevalence of bottled water, reasons people buy it and the environmental and social costs associated with it. Many people told me that they plan to stop drinking bottled water after seeing the film. Other people have either continued to drink bottled water or only stopped temporarily.

Argentina Turning Around

More About Argentina Turning Around from Director Melissa Young In the 1990s, Argentina embraced globalization. Instead of…
Official selection of the Eighth Annual Festival

As We Sleep

More About As We Sleep In the summer of 2002, Marcie Lotzgeselles’ parents welcomed documentary filmmaker Elizabeth…
Official selection of the Third Annual Festival

Ashray

More About Ashray from Director Ambika Samartha Ashray, one of the project organizations that makes up the…
Official selection of the Seventh Annual Festival

Asparagus! (A Stalk-umentary)

Journey to the “Asparagus Capital of the World” to discover why one little vegetable is so important.

Bad Choices

More About Bad Choices from Producer Curt McPhail This film was done in partnership with the Strengthening…
Official selection of the Fifth Annual Festival

Bits and Pieces - a short from Jordan

More about Bits and Pieces from filmmakers Jackie Sawiris and Ben Mandell Bits and Pieces is a…
Official selection of the Ninth Annual Festival

Book ‘Em: Undereducated, Overincarcerated

In New Haven, Connecticut the pipeline from school to prison is shorter than you might think.

Bread

More About Bread from Director Marcelo Bukin The idea forBread was born in Guatemala while shooting a…
Official selection of the Sixth Annual Festival

By-Standing: The Beginning of an American Lifetime

More About By-Standing: The Beginning of an American Lifetime from Director Karen Lin By-Standing is the collision…
Official selection of the Seventh Annual Festival

Day of Remembrance

More About Day of Remembrance from Director Cynthia Fujikawa Day of Remembrance is a short documentary that…
Official selection of the Fourth Annual Festival

Dedicated to My Family

More About Dedicated to My Family from youth Director Nicole Sobottke Hello, I’m the filmmaker of Dedicated…
Official selection of the Fourth Annual Festival

Denied

Filmmaker
Julie Winokur

When I met Sheila Wessenberg, she was living the American nightmare.

She had a potentially fatal illness, but because she was uninsured her life seemed expendable.

She said to me, “There is no reason why anyone should be shoved into homelessness and helplessness just to live.” She was referring to the fact that she could only get publicly funded health care if she gave up her home and her car. In the meantime, her doctor had abandoned her and she had already gone seven months with no chemotherapy.

I was so horrified by the real-life cost of poor public policy that I became obsessed with all the ‘Sheilas’ whose lives were on the line. I realized Sheila could be any one of us—could even be me. I wanted to shout from the highest rafter that she was being dealt one of the greatest injustices I had witnessed in the 20 years I’d been a journalist. 

We first published Shelia’s story in The New York Times Magazine. Readers were so shocked by her suffering that they donated over $50,000 in order to help the family stay afloat. Next, we published Sheila’s story in a book and exhibition called Denied, which was shared on Capitol Hill and toured to state capitols across the country.

But our work wasn’t done because U.S. health care policy hadn’t budged an inch. We decided we had to tell Sheila’s story in film so even more people could see the shocking truth. Considering the raging debate on health care reform in Washington now, inclusion in the Media That Matters Film Festival couldn’t be more relevant or more urgent.

Diana

More About Diana from Director Brynmore Williams We were approached by MTV to help create a documentary…
Official selection of the Eighth Annual Festival

Don’t Worry

More About Don’t Worry from Director Emily James Don’t Worry was a TV series for Channel 4.…
Official selection of the Media That Matters: Good Food

Everybody’s Nuts

Filmmaker Fabian Euresti

In the beginning, my inspiration for making this piece was a way to escape summer doldrums. It was the summer between my second and final year as a grad student at Cal Arts. I was still months away from shooting my thesis and discovered my little point and shoot camera shot video. I started shooting around images around the house. The more images I shot, the more I started thinking about the accompanying narrative. And this is how the film’s narration was born. The more I kept thinking about what to say, the more I kept thinking of images I still needed to shoot. The film is ultimately a product of having been spent in the home and surrounding environment where the film takes place.

Exiled in America

More about Exiled in America from Director Angela Torres Camarena Exiled in America explores immigration United States,…
Official selection of the Ninth Annual Festival

Face to Face: Stories from the Aftermath of Infamy

Face to Face, produced by Rob Mikuriya, connects the experiences of Japanese-Americans in the early 1940s with…
Official selection of the Third Annual Festival

Food for Thought

More About Food for Thought from Producer Kids on the Hill The Food for Thought animation was…
Official selection of the Media That Matters: Good Food

Food Justice: A Growing Movement

More About Food Justice: A Growing Movement from Directors and Producers Martina Brimmer and Zora Tucker Food…
Official selection of the Media That Matters: Good Food

Hammoudi

More About Hammoudi from Producer Tima Khalil I first read an article on Mohammad’s story in a…
Official selection of the Eighth Annual Festival

Happy Ending

More About Happy Ending from Director Chris Irrizarry Happy Ending was produced at the HBO Young Filmmakers…
Official selection of the Fifth Annual Festival

Holla Back Dubai!

Founded in 1991, Global Action Project empowers youth to become agents of change by making powerful, thought-provoking…
Official selection of the Third Annual Festival

Homecoming

More About Homecoming from the Perpich Center for Arts Education Homecoming evolved over four months beginning with…
Official selection of the Fifth Annual Festival

How To Make a Bird

Director Juan Carlos Zaldivar comes from a long line of bird breeders. When going to summer camp…
Official selection of the Third Annual Festival

How Wal-Mart Came to Haslett

More About How Wal-Mart Came To Haslett from Director and Producer Meerkat Media Collective In the fall…
Official selection of the Sixth Annual Festival

I Am Sean Bell

Filmmaker Stacey Muhammad

I’ve loved film for as long as I can remember. Initially, screenwriting was my interest; however, I wanted to see my ideas come to life beyond the writing. This led to a desire to acquire the skills needed to actually produce my own projects. So, I embarked upon the journey of studying and learning as much about the filmmaking process as I possibly could by attending film school, workshops, and anything else I could find.

First and foremost, I consider myself an activist, so I’m drawn to human issues and subjects that enlighten and uplift humanity while challenging us to examine our ideals and issues on this planet. I’ve always been drawn to documentary filmmaking, particularly as an activist. It’s a powerful way to communicate with an audience.
When I chose to do the Sean Bell film, I was extremely disturbed by the verdict and wanted to hear from the children, particularly young black boys, about their thoughts, fears and concerns regarding violence against black men. Most of the topics that interest me are those that give a voice to those often unheard populations of people, who indeed have stories to tell and victories to celebrate.

One thing that I’ve learned is that life is what it is—meaning, everything we do and experience is connected. Often, we try to compartmentalize our lives and deal with different aspects of our experience (be it our personal lives, our career, etc.). Filmmaking, for me, is a spiritual process and journey. I’ve been prepared through life experiences, for each and every topic I choose to explore.

So, my advice to any aspiring filmmaker would be to live your life with integrity, take care of yourself, learn as much about your craft as possible, commit to creating the life you desire and expect the universe to grant you everything you ask.

I Promise Africa

More About I Promise Africa from Director Jerry Henry I went to Kenya in late August of…
Official selection of the Fourth Annual Festival

I’m Not a Boy

More About I’m Not a Boy from Producer Listen Up! Beyond Borders: Personal Stories from a Small…
Official selection of the Seventh Annual Festival

I’m Just Anneke

Filmmaker Jonathan Skurnik

I’m Just Anneke is the first film in a four-part series of short films called The Youth and Gender Media Project designed to educate school communities about transgender and gender nonconforming youth. The first two films in the series are finished and the second two are in production. The completed films are already being used in schools and conferences throughout the U.S. to train administrators, teachers and students about the importance of protecting all children from harassment due to gender identity and expression.

Transgender and gender fluid youth are the most courageous people I have ever met. Despite overwhelming pressure to conform to an oppressive gender binary paradigm, they refuse to do it in order to be true to themselves. I wanted to pay tribute to these courageous young people and to inspire all of us to reconsider our own decisions about gender identity and expression.

Anneke is going into eighth grade in the fall of 2010 and I plan to film her over the course of her first year in high school. This footage will become a feature length documentary about Anneke’s life as she starts to take testosterone and begins a slow and thoughtful transition to fully embody her own unique gender identity.

Immersion

More about Immersion from Director Richard Levien Casting was probably the most important part of making Immersion.…
Official selection of the Ninth Annual Festival

In Transit

More About In Transit from Directors and Producers Bent Jorgen Perlmutt, Nelson Walker III and Louis Abelman…
Official selection of the Sixth Annual Festival

iThemba

More About iThemba from the Producers, Keefe Murren and Nelson Walker III The iThemba Film Project was…
Official selection of the Fourth Annual Festival

Knock Knock, Who’s There?

More about Knock Knock, Who’s There? from Breakthrough Part of a larger Bell Bajao or Ring the…
Official selection of the Ninth Annual Festival

Laugh at the Fat Kid

More About Laugh at the Fat Kid from the Director, Kristina Schoentag Laugh at the Fat Kid…
Official selection of the Fourth Annual Festival

Lean on Me

More About Lean on Me from Natasha Freidus of Creative Narrations In Lean on Me, first-time writer,…
Official selection of the Fourth Annual Festival

Lessons from a Tailor

Filmmaker Galen Summer

The inspiration for this film came directly from the man himself. When I first met Martin Greenfield at his factory, with the intention of interviewing him for a lifetime achievement award he was receiving for his efforts as an employer and business owner in Bushwick, Brooklyn, it became clear that there was more to his story than mere success in business.

Here was a man who had pulled himself up from tragedy and hardship, who had survived one of the most horrific events of the 20th century, the Nazi holocaust, and yet still possessed a lightness of spirit.

Here was a man who had mastered the art of the perfectly tailored, hand-made suit, and now that art was slowly being forgotten by the rest of the world.

Here was a man who at 80 years of age still seemed to be at the height of his powers, who possessed the confidence to dictate the style and fashions of the power elite, just as he had been doing for the past half a century.

It struck me as a unique opportunity to create a portrait of a person who had overcome great challenges in life, who had accumulated wisdom about clothes and about people, and who had become a humanitarian in the process.

Locusts

More about Locusts from Producer and Performer Invincible Finale and I spent several years developing the song…
Official selection of the Ninth Annual Festival

Massacre at Murambi

More About Massacre at Murambi from Director & Producer Sam Kauffmann During the genocide in Rwanda in…
Official selection of the Seventh Annual Festival

Night Visions

More About Night Visions from Director Kathy Huang Since September 11, 2001, over a million Americans have…
Official selection of the Sixth Annual Festival

No Child

More About No Child from Director Gabe Cheifetz No Child was a difficult piece to make.  We…
Official selection of the Sixth Annual Festival

No Escape, Prison Rape

The first federal bill to stop prison rape, the Prison Rape Reduction Act of 2002, was introduced…
Official selection of the Third Annual Festival

No One Bothered

Filmmaker
Josephine Boxwell

Claire, an ex-police officer, and her partner Darren take us on a journey through some of the places they have called home—a rubbish bin fort, a parkland, public toilets, to name a few.

The couple lives in Bournemouth, England. When they first arrived in the seaside town, they begged for money in order to buy food. Eventually they became registered Big Issue magazine vendors. The Big Issue Foundation is an initiative that gives homeless and vulnerably housed people the opportunity to make a living by selling magazines to passersby. For Darren and Claire, selling The Big Issue is a step up from begging, but not a step away from the dangers and prejudices that come with being on the street. 

This short intends to illustrate that none of us are impervious to misfortune or mistakes; all of us are only a few steps away from the street. No One Bothered reminds us that even in societies where social security exists, many are left behind.

Novela, Novela

More About Novela, Novela from Director Elizabeth Miller I first met Virginia Lacayo and Amy Bank, Executive…
Official selection of the Fourth Annual Festival

One More Dead Fish

More About One More Dead Fishfrom Directors and Producers Allan and Stefan Forbes My family spent our…
Official selection of the Media That Matters: Good Food

Permission

More About Permission from Producer Public Interest In 2004, MTV invited Public Interest to create 6 spots…
Official selection of the Sixth Annual Festival

Perversion of Justice

More About Perversion of Justice from Director Melissa Mummert I worked as a chaplain intern at a…
Official selection of the Eighth Annual Festival

Profit Cola

More About Profit Cola and Parent’s Action for Children Profit Cola was created for Parents’ Action for…
Official selection of the Media That Matters: Good Food

Rapping at Fear

More About Rapping At Fear from Producer Listen Up! Beyond Borders: Personal Stories from a Small Planet…
Official selection of the Seventh Annual Festival

Rebel

The Lower East Side Girls Club was founded in 1996 to address the egregious lack of services…
Official selection of the Third Annual Festival

Rights on the Line: Vigilantes at the Border

More About Rights on the Line: Vigilantes at the Border from Producer WITNESS Rights on the Line:…
Official selection of the Seventh Annual Festival

Ripe for Change

More about Ripe For Change from Producer Jed Riffe California — always a fascinating marriage of opposite…
Official selection of the Media That Matters: Good Food

Seeds of Hope: South Africa

More About Seeds of Hope: South Africa from the Director Sarah Hesterman Seeds of Hope was produced…
Official selection of the Fourth Annual Festival

Shades of the Border

Filmmaker Patrick Smith

The racial issues that exist on the island of Hispaniola can hardly be described as “black and white.” Perceptions of race among Haitians and Dominicans have been evolving (or devolving) over several centuries of political, military, and social unrest, and can’t be consolidated into a brief explanation or short documentary. Thus, as a filmmaker from the United States, the intention for the film was not to create all-encompassing viewpoints, both Haitian and Dominican.

The initial idea for the documentary came from the story of an Austin woman who was unable to adopt two abandoned, Dominican-born, black children because their skin color (and lack of documentation) prevented them from getting Dominican citizenship. After some research, it was clear that this wasn’t an isolated incident, but that millions had been denied citizenship (and thus certain human rights), based on how “Haitian” they appeared to be and not based on where they were born.

Faced with the economic burden of providing for an entire population of illegal Haitians crossing the Dominican border, compacted by an already poverty-stricken population of Dominicans, the Dominican Republic strains to find a solution that isn’t “color-based.” Sadly, the peripheral effects of this issue are much more severe, often leading to violence, destruction of homes, inaccessible education, abusive working conditions, and the list goes on.

Shades of the Border explores a commonly-held notion from the Dominican media that race does not lay a role in the conflict, contrasted with an almost completely-inverse working-class opinion that the shade of someone’s skin on the island of Hispaniola speaks volumes about the individual.

Silence Speaks

Silence Speaks provides violence survivors, witnesses, and prevention advocates with the support, skills, and equipment they need…
Official selection of the Third Annual Festival

Slip of the Tongue

More About Slip Of The Tongue from Director Karen Lum I shot and edited Slip of the…
Official selection of the Sixth Annual Festival

Something Other Than Other

More About Something Other Than Other from Director Jerry A. Henry Andrea and I started to film…
Official selection of the Fifth Annual Festival

Something’s Moving

More About Something’s Moving from Director Randy Vasquez Imagine being taken from your family before the age…
Official selection of the Eighth Annual Festival

Sonic Memorial Project

Shortly after September 11, 2001, NPR’s Lost & Found Sound brought together radio producers, artists, historians, archivists,…
Official selection of the Third Annual Festival

Sovereign Nation / Sovereign Neighbor

More About Sovereign Nation/Sovereign Neighbor from Director and Producer Kendall Moore Sovereign Nation/Sovereign Neighbor explores the word…
Official selection of the Seventh Annual Festival

Storm

Thomas Brown, Director of Storm, is the founder of The Broken Toy Project a national anti-bullying program.…
Official selection of the Third Annual Festival

Superstar

More About Superstar from Director Naiquan Greene I was inspired by the people around me to make…
Official selection of the Seventh Annual Festival

System Failure

More About System Failure from Producer WITNESS Juvenile justice in California is a national embarrassment, a statewide…
Official selection of the Fifth Annual Festival

Talking About It

Filmmaker Isaac Haney-Owens

I joined BAYCAT, a San Francisco nonprofit community media production company, in the fall of 2009. At that time, I was just finishing high school and wanted to learn how to make films. I became a young media producer at BAYCAT taking filmmaking classes and started to work on films. At the beginning I was reluctant to be in front of the camera, but with time and some training on production and acting for the camera, I was able to feel more at ease and became more confident. I was excited that BAYCAT then offered me an internship. While working on our 19th episode of BAYCAT’s youth produced
TV show “Zoom In”, we focused on interpretations of “Legacy”. We were asked to reflect on what others have left for us, and what we would like to leave behind for future generations. With some encouragement from Marco, the Program Director and the BAYCAT team, I took a chance and started working on TALKING ABOUT IT. The film provides people with a snapshot into my life, living with Asperger’s, and my art. Besides turning the camera on myself, I asked my mom Karen a few questions, and I also included some of my photographs at the end.

Terminator Tomatoes

More About Terminator Tomatoes from Director Suzanne Twining Suzanne Twining’s five minute animated short film, Terminator Tomatoes,…
Official selection of the Media That Matters: Good Food

The Last Town

Filmmaker Yan Chun Su

In order to complete the Three Gorges Dam hydroelectric project in China, a total of sixteen historical towns, some with more than 2000 years of history had to be flooded. Kai Xian was the last of the 16 towns. Filmed in Kai Xian shortly before the final relocation, The Last Town is a portrait of the town and its residents as they ready (or not) themselves for the big move.

Facing widespread land disputes and unfair relocation assignment, many of the unprivileged residents had to deal with the hardship of not only leaving their homeland behind, but also how to make a decent living afterward. Dust-filled streets and crumbled houses provided the backdrop for stories of ordinary residents dealing with the uncertainty ahead.

I felt compelled to see what old Kai Xian looked like after I found out it was the last old town to be flooded for the Three Gorges Dam Project. What I saw was quite surreal. People burning door frames, window frames on the street, metal salvagers picking on piles of rubble, and the almost eerie contrast between ordinary, everyday activities and the fact that people there were going through a historical time—they were the witnesses and also part of a town’s more than one thousand years of history about to be flooded forever.

The residents still struggling to make the move discovered me very quickly on the street and I was able to record this small glimpse of their lives. It is hopeful that by having their voices recorded, their stories and situations could weigh in on future developments with such profound human impacts.
Old Kai Xian town was completely flooded in 2009. Corruption is still widespread.

Many people are struggling in the new city. In order to rake in as much profit as possible, contractors appointed by local government constructed sub-standard housing and immigrants with little financial and political backing were more likely to be assigned to live in those buildings. 

The Meatrix

More About The Meatrix from Free Range Graphics The Meatrix is a humorous 4-minute Flash animation that…
Official selection of the Media That Matters: Good Food

The Rules of the Game

More About The Rules of the Game from Directors and Producers Garance Burke and Monica Lam Garance…
Official selection of the Sixth Annual Festival

The Sixth Section

More About The Sixth Section from Director Alex Rivera I grew up in a strange immigrant household.…
Official selection of the Fourth Annual Festival

Tyttonen (The Young Girl)

More About Tyttonen (The Young Girl) from Director Fabian Giessler This is a short movie inspired by…
Official selection of the Seventh Annual Festival

Uninsured in the Mississippi Delta

Filmmaker
Katie Falkenberg

At a time when the health care debate is at the forefront of the political agenda, Uninsured in the Mississippi Delta puts a human face on the struggles of the 46 million Americans surviving without health care.

The Mississippi Delta is one of the most impoverished and uninsured regions of the United States. The area also has soaring rates for diabetes, hypertension and stroke, and some of the highest mortality rates and lowest birth rates in the nation. The town of Greenville, Mississippi, in the heart of the Delta, has, on a per-capita basis, the highest number of uninsured households in the country. Contributing factors to this statistic include high unemployment rates, poverty,  business owners who cannot afford health insurance for their workers, and agricultural jobs that are often only seasonal. Those who have jobs that pay minimum wage cannot afford health insurance on their own.

Howard Moncrief and Edward Smith are among those living in the Delta struggling without health insurance. Both of these men, putting the needs of their children and families before their own, have gone without vital health care and medicines. They simply could not afford them.

Inspiration
I had been following the debate on the health care bill in Congress, and was moved by the stories I had heard from those who were struggling without insurance while working on a photo and video project about a Remote Area Medical (RAM) free health care clinic in Appalachia the year before. I knew that this year, with the health care issue being at the forefront of this administration’s agenda, I wanted to tell another story to put a human face with the statistics being talked about so frequently in the Capitol and on the news.

When I heard that 34% of the households in the impoverished Delta town of Greenville, Mississippi were living without health insurance, I knew that this was a story that needed to be told. As I began researching the story, I learned that the problem wasn’t just concentrated in Greenville; it extended throughout the entire Mississippi Delta region into the rural areas where poverty was rampant and there were few jobs.

Many of the folks who are patients at the two health care clinics I spent time in for this film—the Good Samaritan Health Clinic in Greenville, and the Tutwiler Clinic in Tutwiler—would go without the most basic and vital care if these clinics did not exist. This was a driving force behind my inspiration for this film: that, because of the cost of health care and insurance, people would have to go without the care they desperately need, were it not for these clinics.

Furthermore, it is not only the people in the Delta; it is the 46 million other Americans throughout the country.

Vision Test

Wes Kim is the writer/director of Vision Test as well as co-director of the Seattle-based AIVF Salon,…
Official selection of the Third Annual Festival

Water Warriors

More About Water Warriors from Director and Producer Liz Miller Water is quickly becoming the liquid gold…
Official selection of the Media That Matters: Good Food

We Were Humans

Allysson Lucca’s Italian production company, LuccaCo, specializes in creating Web sites/movies for humanitarian and social organizations and…
Official selection of the Third Annual Festival

Will I Be Next?

More about Will I Be Next? from Director Ralph Rollins Will I Be Next? explores the issue…
Official selection of the Ninth Annual Festival

Young Agrarians

More About Young Agrarians from Director Johanna Divine Young Agrarians was created as a tool to introduce…
Official selection of the Media That Matters: Good Food